QUEENSRŸCHE’s third album since the arrival of Todd LaTorre, comes “burdened” with high expectations and a prevailing sense of relief that this legendary band once again sounds, more or less, like it did when metalheads first fell in love with the‘Rӱche . As they proved admirably on 2011’s self-titled comeback, and with increasing confidence and verve on “Condition Human” in 2015, founding members Michael Wilton/ Eddie Jackson and their comrades are experiencing a career renaissance for the ages. As with the previous two albums, this belongs firmly in contemporary sonic realms, and is as heavy and dynamic as anything in the Seattle crew’s catalogue. From the opening clatter of “Blood of the Levant” onwards, it’s evident that QUEENSRŸCHE is enjoying the process of upgrading the band’s classic sound, but also that “The Verdict” is inextricably linked to those revered classics. As LaTorre’s voice “enters the scene” for the first time, it’s almost impossible to avoid sighing with contentment at the sound of a great band doing what it does best. 

“Man the Machine” is even more satisfying; graced with one of those slightly off-kilter chorus hooks that always set the ‘Rӱche apart from their peers. It’s an exhilarating blur of groovy riffing and soaring melodies, all underpinned by an irresistible sense of drama. “The Verdict” also contains the glowering, schizophrenic balladry of “Bent” and the seething, heads-down thump of “Launder the Conscience”, that stand out as obvious thematic flashpoints: The former is the finest song here. The latter is all angular riffs and spiky, “Rage for Order” harmonies, with LaTorre in full fiery-eyed orator mode and an outro that revels in prog rock extravagance. QUEENSRŸCHE fans hardly need to be told that their favourite band is back on top form and gaining momentum, but there’s still something quietly thrilling about how this metal institution reborn from its ashes.

Release Date: March 1st, 2019

7/10

Nikos Mathiopoulos