OPETH releases new single “Paragraph Three” from the upcoming “The Last Will And Testament” album!

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Swedish progressive metallers OPETH will release their 14th studio album, “The Last Will And Testament”, on October 11 via Reigning Phoenix Music/Moderbolaget. Following the critical acclaim of the album’s first single, “§1” (Paragraph One),the band is now revealing the second offering from record, “§3” (Paragraph Three),which can be heard below.

OPETH frontman Mikael Åkerfeldt comments: “So put yourself in my position for a minute: Your band has this new album. You like it. In fact, you love it! It’s got this elaborate concept running through all eight songs on there. You’ve written it over the timespan of, say, six months, effective time. You’ve invested a lot of passion into putting it together. You’ve recorded it together with your friends/colleagues. You’ve had a good time in the process. Now, said album is on the verge of being released and you’re expected to talk about it. Prepare your audience for its coming. Talk it up! You do want people to hear it, right? You love the album so it should be easy, right? At this point, all you have to do is put together a few words for the new ‘single.’ But you’re confused with the use of the term ‘single,’ as you connect it to the olden days where ‘singles’ often had the word ‘hit’ next to it. And you know that won’t happen! Still you want people to hear it. Your loving ‘fans’ might think it’s awesome. But you don’t want to come across as a salesman. On top of that you’re not a complete self-absorbed asshole who thinks you’ve got the Midas touch (well….). Also you have a bad case of that inborn Swedish modesty, sprinkled with some impostor syndrome. What do you say? ‘§3’ is out now!'”

OPETH’s fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (THE HEARD, ex-CRUCIFIED BARBARA). “The Last Will And Testament” was co-produced by Åkerfeldt and Stefan Boman (GHOST, THE HELLACOPTERS),engineered by Boman, Joe Jones (KILLING JOKE, ROBERT PLANT) and OPETH, with Boman, Åkerfeldt and the rest of OPETH mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on “The Last Will And Testament” were arranged by Åkerfeldt and returning prog friend Dave Stewart (EGG, KHAN) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting “photograph” reminiscent of Stanley Kubrick’s infamous “Overlook Hotel” photograph. Miles Showell (ABBA, QUEEN) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

“The Last Will And Testament” is a concept album set in the post-World War I era, unfolding the story of a wealthy, conservative patriarch whose last will and testament reveals shocking family secrets. The narrative weaves through the patriarch’s confessions, the reactions of his twin children, and the mysterious presence of a polio-ridden girl who the family have taken care of. The album begins with the reading of the father’s will in his mansion. Among those in attendance is a young girl, who, despite being an orphan and polio-ridden, has been raised by the family. Her presence at the will reading raises suspicions and questions among the twins.

“The Last Will & Testament” is gripping from start to finish, jaw-dropping inside and out, representing some of OPETH’s finest material to date. Just as OPETH welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story – this time with growls we had not heard since the 2008 “Watershed”.

OPETH will celebrate the release of “The Last Will and Testament” with headlining tours in North America, the UK, and Europe! The full itinerary can be found below while tickets are now on sale HERE.

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